Germaine: A steady woman is important to you because then you know for sure you have someone to go home to in case you can’t find someone else. You notice every woman, don't you?
Picasso: Many.
Germaine: I mean, every woman. Waitresses, wives, weavers, laundresses, ushers, actresses, women in wheelchairs. You notice them, don't you?
Picasso: Yes.
Germaine: And when you see a woman, you think, "I wonder what she would be like." You could be bouncing your baby on your knee, and if a woman walks by, you wonder what she would be like.
Picasso: Go on.
Germaine: You have two in one night when the lies work out, and you feel it’s your right. The rules don’t apply to you because the rules were made up by women, and they have to be if there’s going to be any society at all. You cancel one when someone better comes along. They find you funny, bohemian, irresistible. You like them young, because you can bamboozle them, and they think you’re great. You want them when you want them, never when they want you. Afterwards, you can't wait to leave, or if you're unlucky enough to have her at your place, you can't wait for her to leave, because the truth is, we don’t exist afterwards, and all conversation becomes meaningless because it's not going to get you anywhere because it's already got you there. You're unreachable. Your whole act is a camouflage. But you are lucky because you have a true talent that you are too wise to abuse. And because of that, you will always be desirable. So when you wear out one woman, there will be another who wants to taste it, who wants to be next to someone like you. So you'll never have to earn a woman, and you'll never appreciate one.
Picasso: But I appreciate women. I draw them, don't I?
Germaine: Well, that's because we're so goddamn beautiful, isn't it?

from the play 'Picasso at the Lapin Agile' by Steve Martin